“all throughout Different Eyes can listeners expect to encounter the bandleader’s undoubtable mindfulness, as he lovingly reflects with an honest sense of maturity a light which most players can only dream of glimpsing.”

Barney Whittaker, presto music (UK)

“The sound of the Uriel Herman quartet is warm-blooded and melodic but with moments of daring and lots of space for spontaneity”

John Bungey’s, LondonJazz News (UK)

“Bowie’s work is similar, Herman throws himself into an oriental cauldron and “hears” in a colorful virtuosity. The effect relieves the legs. One of the best covers in the history of broadly understood entertainment music!”

Marcin Puławski (Laboratorium Muzycznych Fuzji, Poland)

“I lived the biggest concert of my life!!!”

Alexandre FOURNET (eclatsdemail)

“It’s a mesmerizing journey we are offered. At first, the flute leads to the piano path of Uriel Herman. every touch is like a slow waltz – a little unbalanced – which drives us; some accelerations, and then the music slows down. Each step in the music leads to a dreamy land..”

Anne Maurellet (La Gazette Bleue, France)

“The audience applauds, stood up and remained standing, claiming three reminders, three times …”

Patrick Beyne (Action Jazz, France)

״It is one of the richest, most creative and interesting albums I’ve recently heard in the jazz, classical, ethnic and rock seams.״

Yossi Harsonski (Harsonski Music)

“…The definitive Israeli jazz musician… Herman follows his own heart through the wild and wonderful world of sound. and displays many of the attributes that have made Israel such an exciting cultural powerhouse, particularly in the jazz domain”

Barry Davis (The Jerusalem Post, Israel)

“Uriel Herman, a young Israeli pianist, with a promising future, was presented for the first time in our country, in the Sala Argentina of the Kirchner Cultural Center”

Vis A Vis Magazine (Argentina)

“There are some musicians who create the obvious. Few musicians are told that every gesture, every note, every moment, the choice made was not only brilliant, it was the only possibility to create this beauty. It’s obvious. Tonight, Uriel Herman’s quartet smashed the gigantic door behind Brian Blade and his brothers and sisters of the obvious. “

Alexandre Fournet (France)