“Pianist with pronounced lyricism (“Hayu leylot”) and in the indisputable melodic sense (“Shva Esre”), Herman swims in oriental music like a fish in the water (“Shirat Hachalil”), likes solemn atmospheres (“I Shall Not Die, But Live”), but also polyrhythm (“Hour Of The Wolf”), and keeps on all occasions a hands-free approach from the classical music (“Winter Light”)”