“I will join Herman in another journey of ‘Awakening’. I have no doubt about that! Those are the places I wish to get to over and over.”
Yossi Harsonski
“Best show for 2019, In his melodies and arrangements, Uriel touches in the same sensitivity in Israeli poetry, as well as Nirvana and David Bowie’s songs.”
Yotam Zin (Columbus music magazine)
“The melodies move between rhythms of jazz and classical music, as it should be for two musicians that came from the classical piano and double bass.”
Tal Gordon (The Stage)
“Ehud and Uriel are successfully moving between classical Music and jazz, provide upgraded orchestrations and improvisations to the songs”
Yossi Harasinski (Harsonsky Music)
“Best 15 albums in 2009 Israel”
Ben Shalev (Haaretz)
“Two young mans (aged 21) decided to take a book of poems by Rachel and make it a worthy project featuring some of the most prominent artists in the country”
Or Barnea (Ynet)
“Uriel wrote “White Night” After participating in a shamanic ceremony in Costa Rica – this piece itself, as played in Suzanne Dellal Center, is worthy to the best of the world’s finest festivals “
Yossi Harasinski (Harsonsky Music)
“Herman has given new meaning to one of the greatest anthems in the history of rock. He takes it to new places musically, and wordlessly he adds value to his jazz as being the prerogative of all young people regardless of their musical preferences.”
Zeev Tenne (Fishtank Magazin)
“In the context of the Israeli world of music this is history-making – the encounter between two young talents that will produce an explosion of impressive music. This can be compared to the historic combinations of the 70s between artists who went on to become part of the Israeli musical genome”
Avi Efrati (Yedioth Aharonot)
“an explosion of magnitude 8 on the Rechter-Kanner or Wirtzburg-Gelbatz scale.”
Ben Shalev (Haaretz)