Face to Face
Face to Face is my second solo album. This album centers around the act and influence of a meeting with another, a confluence which changes you. Every single interaction you experience with someone else adds color to your inner world – A different perspective of reality, another vantage point from which to view the world […]
Awake
This is Uriel solo debut album. It was written after a personal journey in the jungles of Costa Rica. The album contains original compositions, arrangements to songs by Nirvana and Radiohead, as well as new melodies set to poems by Israeli poets, Yehuda Amichai and Tirza Attar. Following the release of Awake, The Uriel Herman […]
White Night – Rhapsody for Jazz Quartet & Orchestra
White Night | by Natan Odenheimer A man wants it to change. He doesn’t know if the it that he wants to change is himself, or the world. He is in disorder, the one that sometimes accompanies personal tragedies of loss, in this case, a familiar one: the loss of a lover. Perhaps, he often […]
Windmill session
A Series of three clips set to three new Compositions by Uriel Herman. Directed by award winning clip director: Bettina Fienstatnt, creator of the acclaimed series INDIE CITY. The project, featuring amazing dancer Sian Olles, was filmed and recorded live in front of an audience made up from four generations of music lovers’ ages 9 […]
Half colors, half voices
“Half colors, Half voices” was released in Fall 2008, as a collaboration between pianist and composer Uriel Herman and double bass player, Ehud Ettun. The album is composed of poems by the legendary Israeli poet, Rachel Blubshtein, set to original music. The album immediately received rave reviews from leading Israeli music critics. Producer Adi Rennert, […]
OST (Movie Soundtrack)
An almost deserted museum, a guard wearing high heels, a cinephile thief and a Monet painting. In September 2000, Robert Z. was given permission by the National Museum in Poznań, Poland, to make a replica of Claude Monet’s painting ‘Beach in Pourville’. He was allowed to work in the quiet museum, which had no operational […]
